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Butter, onions, aluminum tubes and small pieces of jelly are among the things she zooms in on to capture their physicality, as moving lights illuminate their material characteristics. These small objects, magnified with digital technology, appear to contain expansive, cosmic universes that Hsu reconfigures into abstract narratives. Her solo exhibition, Sprinkling, presents four new videos and a sculptural installation composed of an array of 22 frosted glass drops.
According to the artist, the suspended glass structure alludes to the ongoing process of encounters, collisions and disintegrations in the universe. Cream Sundial, for example, traces two different light trajectories on a creamy white surface, highlighting a particular sense of reoccurring events in different moments of time. Even though Hsu often highlights details of the physical world with meticulous detail, her ultimate aim is to create a kind of art that is independent from linear time and the tangible world.
Iabadiou Piko is an Indonesian artist who creates rich, poetic paintings based on everyday life. His paintings are bold in color, sometimes sweet and delightful, at other times stormy and dark. Using a wide range of materials, including oil paint, acrylic, charcoal, volcanic ash and bitumen, he creates emotive narratives using abstracted forms and figures drawn from daily encounters, experiences and memories. In his solo exhibition, The Storm of Perception, the artist presents 10 new paintings that feature motifs of natural landscape and abstract color fields.
Landscape in Red presents a red anamorphic shape containing silhouette shapes of mountains, trees and animals. The red form is framed by a pair of embracing hands that extend from a dark, atmospheric background. Open Wednesdays to Sundays from noon to 7pm. The instruments are created with assemblages or casts of readymade objects painted over in realistic detail; in this makeover process Yi transforms ordinary forms into imaginative scientific devices.
